A sonata for piano in three movements in a mix of modal, serial and atonal styles
The first movement, thinly textured writing in a lilting 6/8 time, uses free-ranging chromaticism, with Gallic overtones, around an E modal tonality. Two or three motifs are continuously developed, but the music never really reaches a convincing climax. Control is maintained over intensity, and the music comes to rest quietly, unresolved on a bare ninth chord.
The second movement is more austere, constructed in a strict, yet expressive, dodecaphonic serialism.
- 1 May 2010,at the Maytime Concert of Words and Music at St John’s Church, Batheaston, near Bath (first movement only)
- 6 October 2012, at the Karmi (Karaman) village church, near Kyrenia, North Cyprus, by the composer (piano) — first movement only