Richard Lambert Music

Through the void, an angel's cry (Op.35a)

A piece for solo soprano and voice, setting a poem by Hilary Spiers

This is a transcription of Sing to me, Sing (Op. 35) for solo soprano and piano.

It sets a specially-written poem by Hilary Spiers, which reflects upon how the fast pace of modern life often obscures the age-old Christian truths. It points out that there is a need for stillness and calm in our lives in order to regenerate our inherent spirituality.

The composer first explored the over-commercialisation of Christmas in his earliest work, A Life to Grow, and is returning to the theme here – which perhaps has even greater relevance today. However, although Christmas is a time to reflect on peace and goodwill, this poem has a universal significance, and the piece can be performed throughout the year. The setting is unashamedly melodic. The interval of a fourth is important throughout, both in the melodic line, and harmonically in both piano and voice.

The initial verses, each commencing with 'Sing to me', also start with falling fourths (perhaps alluding to a peal of bells). A prayer-like setting of 'Through this broken world, a sigh' occurs twice in a minor mode.

Its transformation to the major key affirms that 'Christ is with us, Christ is here!' – and the piece concludes with a final, hushed statement of 'Sing to me, sing', also uplifted to the major key.


This recording of Through the void, an angel's cry was produced using computer software called Sibelius: it is not a live recording.


Purchase Through the void, an angel's cry from UMP.

If you wish to listen to the piece on that website, select the ‘MP3 file’ link instead of playing the embedded score for better audio quality.

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